Tag Archives: Christian hymns

Frances Ridley Havergal Her Death

Posted on by
5

Like a river glorious, is God’s perfect peace; Over all victorious, in its bright increase.

In a previous post, I wrote of the accomplishments of Frances Havergal and the way she sought to glorify the Lord in all she did. Now, I will recount some of the account concerning her death. Havergal suffered ill health for much of her life. At the age of 42, she went on holiday with her family to South Wales. While there, she developed a very severe cold which soon led to an inflammation of the lungs.

Perfect yet it floweth, Fuller every day, Perfect yet it groweth Deeper all the way.

When Havergal was told that her life was in danger, her response was: “If I am really going, it is too good to be true!” Should that not be the response of all Christians–no matter, their age, their goals, their plans? To learn that we may soon be with the One we claim to love? For this was Havergal’s ultimate desire–to be with the One for whom she wrote her poems and hymns.

Hidden in the hollow of his blessed hand–never foe can follow, never traitor stand.

Later she said, “Splendid! To be so near the gates of heaven.” Closer to the end, her sister reported that she sang one of her hymns, “Jesus, I will trust Thee, Trust Thee with my Soul.” Though she was weak and her voice faint, the words were clear to all.

Not a surge of worry, Not a shade of care, Not a blast of hurry, Touch the spirit there.

“She looked up steadfastly, as if she saw the Lord; and surely nothing less heavenly could have reflected such a glorious radiance upon her face. For ten minutes we watched that almost visible meeting with her king, and her countenance was so glad, as if she were already talking to Him! Then she tried to sing; but after one sweet high note, her voice failed, and as her brother commended her soul into the Redeemer’s hand, she passed away.”

Stayed upon Jehovah, Hearts are fully blest, finding as He promised, Perfect peace and rest.

“I should have liked my death to be like Samson’s doing more for God’s glory than by my life; but He wills it otherwise.” Though Havergal could not see it, I believe her death did give glory to God, not only to those who were with her as she went home, but also for those of us who continue to read her words years later.

 

Quotes taken from Memorials of Frances Ridley Havergal by her sister, M. V. G. H. (Maria V. G. Havergal), April 1880

Frances Ridley Havergal–Her Life

Posted on by

 

I enjoy learning about the hymn writers of my favorite hymns because it makes them more meaningful and puts a face and a life to the words. It’s easy just to sing the words of a familiar song and forget that someone wrote them because of a particular event in their life or because of the way the Lord had been dealing in their life at the time.

Take my life and let it be–Consecrated, Lord, to thee. Take my moments and my days; Let them flow in ceaseless praise.

Several months ago I heard a pastor speak about the life of Frances Ridley Havergal (1836-1879) before we sang, “Like a River Glorious.” Intrigued, I began to read more about her, as well as listen to more of her hymns and read some of her poetry. I was impressed in both the way she lived and the way she died. In this post, I will discuss how she lived, and I’ll have a follow up post on how she died.

Take my hands and let them move–At the impulse of thy love, Take my feet and let them be–Swift and beautiful for thee.

Born at the rectory in Astley, Worcestershire (England) where her father was the rector, Havergal accomplished much in her short life. From the time she was a young child, she always sought to serve and lift up Jesus. She was writing poetry at the age of seven and had verses published while still a teen in “Good Words.”

Take my voice and let me sing,–Always, only for my King, Take my lips and let them be–Filled with messages for Thee.

Receiving her education at both English and German boarding schools, she proved herself a natural linguist learning Latin, German, Italian, French, Hebrew, and Greek. She also played the piano and was said to be a beautiful singer.

Take my silver and my gold; Not a mite would I withhold; Take my intellect and use–Every power as Thou shalt choose.

Four years after writing the words: “take my silver and my gold,” she packed up and shipped a box of valuable jewelry to a church missionary house. Of the few pieces she kept: “I retain only a brooch or two for daily wear, which are memorials of my dear parents; also a locket with the only portrait I have of my niece, who is in heaven. But these I redeem that the whole value goes to the Church Missionary Society.”

Take my will and make it thine; It shall be no longer mine. Take my heart, it is thine own; It shall be thy royal throne.

Havergal told the story behind the writing of the hymn “Take My Life and Let It Be” in Memorials of Frances Ridley Havergal. “I went for a little visit of five days (to Areley House). There were ten persons in the house, some unconverted and long prayed for, some converted but not rejoicing Christians. He gave me the prayer ‘Lord, give me all in the house.’ And He just did. Before I left the house every one had got a blessing. The last night of my visit, after I had retired, the governess asked me to go to the two daughters. They were crying. Then and there both of them trusted and rejoiced. It was midnight. I was too happy to sleep and passed most of the night in praise and renewal of my own consecration, and these little couplets formed themselves and chimed in my heart one after another, till they finished with ‘Ever, only, all for Thee.”

Take my love, my Lord, I pour–At thy feet its treasure store.Take myself, and I will be–Ever, only, all for Thee.

 

 

Hymns–Lost in Translation

Posted on by
2

My last few blogs have been about some favorite hymns and their history. A few more such tales shall be forthcoming, but first I wanted to take a look at some hymns that will not be found in today’s hymn books because, well, times and language change. What might have been sung in all seriousness at one time would have us either giggling or horrified today.

My first selection was written by Jame Rowe (1865-1933). Rowe wrote this hymn to encourage temperance and in 1920 the song was included in the hymnal, “New Perfect Praise for Sunday Schools, Singing-Schools, Revivals, Conventions, and General Use in Christian Work and Work.” (Number 80 if you have this book lying around).  The title of the hymn: “Good-bye, old Booze, Good-bye.” The first line: “We’ve closed your door for evermore.” And the refrain begins: “Good-bye, old Booze, good-bye, We’re glad to see you go.” Try singing that around a campfire some night with your youth group.

Before we leave Mr. Rowe, let me add that he wrote more than 9,000 hymns, poems, recitations, and other works. Probably his most famous and one still included in many hymn books is “Love Lifted Me” which Rowe based on the Biblical story of Peter stepping out of the boat and into thestormy waters.

E. M. Bartlett (1883-1941) also wrote many hymns, co-founded Hartford Music Company and was the founder of the Hartford Music Institute in 1921. One of his hymns only made it into two hymnals and will probably not be added to any in the twenty-first century. Titled: “If Men Go to Hell, Who Cares?” is a good example where punctuation and emphasis on certain words can make such a difference in meaning. The first line begins: “While the world rushes on in its folly and sin,” and the refrain begins, “Who cares, who cares?” Let us assume that Mr. Bartlett wanted to provoke people into caring about the destination of people’s souls, but I don’t think a refrain of “Who cares? Who cares?” would get that message across very well today.

Mr. Bartlett suffered a stroke in 1939 leaving him partially paralyzed and unable to do the traveling and singing he had been doing. It was during this time that he wrote a hymn that he is better remembered for and is still being sung today: “Victory in Jesus.” Mr. Bartlett was inducted into the Gospel Music Hall of Fame in Nashville in 1973.

My final selection for hymns lost in translation is by the prolific writer Isaac Watts. Watts deserves a post or two to himself, but for now, it is the hymn, “Charity to the Poor” also known as “Pity to the Afflicted” (1719) which will be highlighted here. The title is harmless enough. It’s the first line which only made it into print for a couple of hymnals before it was changed: “Blest is the man whose bowels move.” For you readers of the King James, you will probably see nothing wrong with this as you are certainly familiar with Paul’s directive to put on “bowels of mercies” (Colossians 3:12). Others, however, (even a couple of hundred years ago) prefer singing about one’s heart rather than one’s bowels, and, consequently, this line was soon changed.

Though I’m enjoying exploring hymns from the past, I also love many of the songs that are written and sung every year. As Robert Morgan says in one of his books about hymn writers (Near to the Heart of God), “When the Bible tells us to sing ‘a new song’ to the Lord, it’s telling us that every generation needs to write its own music. If a time ever comes when the young generation isn’t writing praises to the Lord, Christianity is dead.”

Many times songs can be both old and new. How many versions have you heard of “Amazing Grace”? The lyrics never grow old even as the music may be changed or other verses added, as in “Amazing Grace (My Chains Are Gone).”

I want to leave you with an old hymn which is new to me. Our choir sang it a few weeks ago and before that first practice, I don’t think I’d ever heard it before though it was written in 1890 by Samuel Trevor Francis and has been published in forty-six different hymnals.